Tilford Bach Festival programme -
All Saints Church, Tilford, 6-8 June, 2025

Musical director:Adrian Butterfield, Director of the London Handel Players and Professor of Baroque Violin at the Royal College of Music




Concert 1

Friday, June 6, 2025, 7:30pm - All Saints Tilford
followed by the Tilford Institute

Tilford Road, Tilford, Farnham GU10 2DA


A celebration of Scottish Baroque music – from the salon to the Highland Fling - All Saints Tilford


7.30 pm: A programme incorporating a fusion of traditional Scottish fiddle tunes and folk-influenced baroque repertoire


Soloists: Alasdair Fraser and Natalie Haas, see more here


Musicians:

Rachel Brown, flute and recorder

Adrian Butterfield, violin

Oliver Webber, violin

Rachel Byrt, viola

Sarah McMahon, cello

Silas Wollston, harpsichord


Scottish Baroque music had its beginnings in a tavern in Edinburgh’s medieval Old Town.The landlord at the beginning of the 18th century was a violin player who arranged “Corelli sessions” for his classically educated patrons from the gentry;these took place alongside enthusiastic reels and jigs. The same musicians would play both repertoires, with the same techniques, and using the same instruments. Scottish Baroque became a lively fusion of home-grown talent, music and culture combined with Italian flair and style. Credit:Shane Lestideau.


Review in the Boston Globe of “cutting-edge fiddle and cello explorations of Scottish and global music”

" … you would think they'd been playing together for centuries. While his fiddle dances, her cello throbs darkly or plucks puckishly. Then [Haas] opens her cello's throat, joining Fraser in soaring sustains, windswept refrains, and sudden, jazzy explosions. Their sound is as urbane as a Manhattan midnight, and as wild as a Clackmannan winter."


8:30 pm Food will be provided for those with tickets to the cèilidh at the Tilford Institute


9–10:30 pm Cèilidh - Tilford Institute

Caller: Toby Lord, see more here

Scottish country music, dancing and fun, with a caller to help keep everyone on track.Do you need to know the dances?No!



Concert 2

Saturday, June 7, 2025, 7:30pm - All Saints Tilford

JS Bach – Mass in B Minor BWV 232: a rich tapestry of voice and instruments combining drama with emotional and spiritual depth

Musicians: London Handel Players, directed by Adrian Butterfield


Choir: Pegasus Choir, see more here


Soloists:
Julia Doyle – soprano – see
here

Daniel Taylor – alto -see here

Ruairi Bowen – tenor – see here

Ashley Riches – bass – see here


There will be an interval and a cash bar.


Augustus II the Strong, King of Poland, Grand Duke of Lithuania and Elector of Saxony, died in 1733.Bach wrote on a “Missa”, a portion of the liturgy sung in Latin and common to both the Lutheran and Roman Catholic rites, dedicated to the new Elector, Augustus III, a convert to Catholicism, with the hope of obtaining the title "Electoral Saxon Court Composer”, which he did in 1736.


Bach’s completion of the full Mass, in the Catholic tradition, was the last work he wrote, and is unusual in that in Bach's day, masses composed for Lutheran services usually consisted only of a Kyrie and Gloria.Not only is this a full mass, in the Catholic tradition, but unusual in its scale in the range of instruments and voices: a performance lasting a glorious two hours.One of Bach’s most popular vocal works, its earliest documented full performance took place in 1859.


Review of the B Minor Mass by London Handel Players at the Wigmore Hall on 3 February by Barry Creasy, published 5 February 2025 in Opera and Classical Music Review, music OMH:“The London Handel Players and Butterfield deliver Bach like no others. An intimate and hugely enjoyable performance… dynamic shifts and phrasing seemed to happen in that instinctive way that indicates that everyone really did inhabit the music…the dances between soloists and obbligato instruments in the arias were flawless… Daniel Taylor gave a purity of tone”.



Concert 3

Sunday, June 8, 2025, 5pm

Young talent showcase. We present groundbreaking Baroque masters – as popular today as they were in the 17th Century .


The Best of Baroque: music by Corelli and Vivaldi


Musicians: Students at the Royal College of Music in the Harmony of Time ensemble led by Sara Matović, directed by Adrian Butterfield


Choir: Students from the University of Toronto directed by Daniel Taylor, Head of Historical Performance at the University of Toronto


Antonio Vivaldi - Concerto for Violin, Strings and Continuo in E minor, RV 273. Allegro; Largo; Allegro

Johann Kuhnau - Cantata - Gott, sei mir gnädig nach deiner Güte

Arcangelo Corelli - Trio Sonata da Chiesa Op.3 No.8 in C major. Adagio; Allegro; Adagio; Allegro

Antonio Vivaldi - Concerto for 4 Violins Op.3 No.10 in B minor RV 580. Allegro; Largo-Larghetto; Allegro


Interval


Arcangelo Corelli - Concerto Grosso Op.6 No.4 in D majo. Adagio; Allegro; Adagio; Vivace; Allegro

Dietrich Buxtehude - Cantata - Jesu, meines Lebens Leben BuxWV 62

Antonio Vivaldi - Trio Sonata Op.1 No.1 in G minor RV 73. Preludio - Largo; Allemanda - Allegro; Sarabanda - Largo; Giga - Allegro

Nicolaus Bruhns - Cantata - Ich liege und schlafe


Baroque music is the oldest still routinely played.Corelli’s new musical forms such as the concerto grosso, which allowed individual instruments to shine, greatly influenced subsequent Baroque masters, and are a staple today. Vivaldi was maybe the first composer to tell a narrative through his music;his dynamic rhythms and fluid melodies ensure his popularity today;his “Four Seasons” is the most recorded work of all time, with one Youtube video alone having 80 million hits.

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